Review: YOUARENOWHERE

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The playbill was the least satisfying thing about the show

Here’s what I knew about YOUARENOWHERE before I saw it:

  1. Team Maxamoo praised it to the heavens. (I knew they absolutely loved it, but I didn’t actually listen to the episode in which they discussed it, so I didn’t know why.)
  2. It’s a one man show that involves a physics lecture somehow

I love the Maxamoo folks, so I went ahead and bought a ticket based on their recommendation. And now I’m in a quandary about writing a review. I have quite a bit to say, but I don’t really want to say any of it. To be honest, I’m really glad I walked in to YOUARENOWHERE knowing very little. This is a show that really benefits from going in cold, so I worry anything I say will detract from the piece itself. My official recommendation: stop here and go get a ticket (London-based readers: it’s coming to you too!) Then call me and we can discuss it.

YOUARENOWHERE (according to a NY Times article, you can read this as “You are now here” or “you are nowhere”) is a fragmented, dynamic examination of life-changing moments. Or the moment before death. Or something else that was entirely beyond me. (Unless it wasn’t. I have no idea. I need you all to go see the show so we can discuss this.)

Ugh. I can do a little better than that. Let me start again. Performance artist and designer Andrew Schneider uses light, sound, video, and his very charismatic stage presence in an hourlong performance that manages to make you think and make you feel. He’ll tell you anecdotes, he’ll describe the twelve-step program, but don’t expect a real story. I’m not entirely sure I understood a lot of it. But no matter, because this is one entertaining show, and on several levels. There’s Mr. Schneider’s rapid-fire speech and appealing persona, there’s the incredible technical achievement (including its signature device, a LED frame that blacks out an actor’s face), there are songs and dancing, there’s a bit of physics (the fun kind), and there are the moments of sheer surprise and astonishment. So many elements and it all fused together so well. How much rehearsal and preparation did this thing call for? The mind boggles.

IMG_20160318_122603611Theater doesn’t generally shock me. (To be fair, I probably don’t seek out shocking theater very often.) But my jaw actually dropped at certain moments in the show. And my first thought was: “Ok, I’m coming back to see this again.” Ten minutes later: “Maybe I’ll come see this again twice.” At the end of the show, Mr. Schneider encouraged everyone to stay for a beer and hang out. I hadn’t planned to, but by this point I was ready to do whatever he said. So I stayed for a beer.

At $25, I can’t think of a better deal as far as theater goes. Congratulations to Andrew Schneider. You, sir, have created something beautiful. I hope to go back next week.

>Running Time: 60 minutes
My Grade: A+
Ticket price: $25
Worth it: Yes
Standing Ovation Watch: Yes