Review: A View From the Bridge

Fabulous Retro Playbill

This may be a little briefer than usual. I’m going for a no-frills review of a no-frills show. Director Ivo Van Hove’s production of Arthur Miller’s A View From the Bridge, direct from London’s Young Vic, strips the play down to its essentials: actors walk around barefoot, in costumes that don’t look particularly period-specific, without props, without furniture, in a simple white box of a set. You’re left with a pure, searing drama. And boy, is it powerful.

It’s been on Broadway numerous times but the plot, set in 1950s Brooklyn, was new to me. It’s a family drama: Longshoreman Eddie Carbone (Mark Strong) adores his niece Catherine (Phoebe Fox). So much that it’s disturbing, actually. When two illegal immigrant cousins come to stay at his place, Catherine falls for one of them. This is a problem: for Eddie, for Eddie’s relationship with Catherine, for Eddie’s relationship with his wife Beatrice (Nicola Walker), even for Eddie’s relationship with the neighborhood.

It’s an outstanding piece of writing from Miller, that’s for sure. It was written as a two-act drama, but this production is an intermissionless piece that runs just under two hours. Scenes transition nearly instantly, with one conversation turning into another in a flash. Sounds confusing but in fact it’s easy to follow. The production feels like it’s had all the fat cut out of it, and you’re left with something lean, filling, and tasty.*

Perhaps if I’d been more familiar with the piece, I’d have more to say on the smart directorial choices Van Hove has made, or the excellent cast, or the cuts to Miller’s original. As it is, I don’t have too much to say, except that it’s all terrific. In fact, my biggest problem was probably just the venue. Now, I love Broadway theaters as much as the next obsessive theater blogger, but you’ve got to imagine the production is far more powerful in an intimate setting. (As I recall, the Young Vic is a lot smaller?) They should have blackboxed the heck out of this production, as far as I’m concerned. Something about the distance of a Broadway theater kept me a little at bay. There are seats available onstage, and perhaps that’s the ideal way to experience this Bridge. But that’s annoying. Isn’t it a bad thing if only a small percentage of an audience experiences the production the way it was meant to be? If you have a decent mezzanine seat, as I did, and feel like you’re missing out, then there’s something wrong here.

Nevertheless, it’s a great show, and I’m glad I saw it. Those wonderful Brits**. Don’t you love it when they take an American classic and show us how it’s done?

My Grade: A-
Ticket Price: $34.50
Worth it: Yes
Running Time: 1 Hour, 55 minutes
Standing Ovation Watch: Yes (orchestra and stage) and No (Mezzanine)

* EWWWWW. Is that a meat reference? Gross. I can’t believe I put a meat reference into my review. Obviously I’m still a vegan. Tofu forever!

** Actually Ivo Van Hove is Dutch, but let’s not let facts get in the way of my point. The production is British, anyway.

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